Best new crime fiction: John Connolly’s The Instruments of Darkness is a moving addition to the Charlie Parker series
David Nicholls: ‘I’m lucky enough to have lots of Irish friends and hope that I got away with writing an Irish character’
George Stephanopoulos: ‘You can only have constructive debates if people are determined to engage in good faith’
Colm Tóibín on writing a sequel to Brooklyn: ‘I got a lot of inspiration from Domhnall Gleeson’s performance’
Adrian Dunbar on Beckett: ‘I seemed to be getting knocked around emotionally but didn’t know how he was doing it’
Three things to watch in the upcoming European and local elections - including immigration on the ballot paper
Sarah McInerney: ‘If you look up middle-child syndrome in the dictionary, you’ll find a picture of me’