Film Reviews
An Taibhse review: Queasy atmosphere and good performances drive this taut Irish-language horror
La Cocina review: A kitchen drama that makes The Bear feel like listening to Enya in a garden centre
By Tara Brady
The End review: Don’t be put off. This powerful, beautiful film could become a cult classic
Misericordia review: We know whodunit in this Hitchcockian murder-comedy. But what’s everyone else up to?
By Tara Brady
Brief History of a Family review: Startlingly eerie debut finds new angles to a familiar genre
Snow White review: Live-action reimagining of the classic 1937 film is a muddled mess
By Tara Brady
The Alto Knights review: Robert De Niro’s gimmicky mobster double act is an unnecessary distraction
By Tara Brady
Sister Midnight review: An endlessly inventive marriage of perfectly pitched comedy and deranged ambience
The Electric State: Netflix gives the Russos $320m and this is all they have to show for it?
By Tara Brady
Black Bag review: Soderbergh’s spy flick starring Blanchett and Fassbender beats streaming rivals hands down
Opus: John Malkovich’s bopping saves this inventive but frustrating horror film
By Tara Brady
Plankton: The Movie review – Who knew marital discord could be so much fun for all ages?
By Tara Brady
Mickey 17 review: Bong Joon Ho’s fitful sci-fi satire is a rickety follow-up to the Oscar-winning Parasite
Ernest Cole: Lost and Found – Moving portrait of an exiled apartheid photographer
By Tara Brady
On Falling review: This superb debut about a lonely warehouse picker is an astonishing fable of hidden miseries
Fight or Flight review: Snapped arms, splattered brains, a surprise chainsaw – this is good, honest pulp
Vermiglio review: Captivating chronicle of the hardships and eccentricities of an ever-expanding family
By Tara Brady
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