This year’s Oscar contenders are less about escapism and more about our sad reality
The nihilism of Sam Peckinpah’s western came as a shock to the system in the late 1960s and still resonates today
Ricky Gervais’s After Life, Idris Elba’s Turn Up Charlie, Woody Harrelson in The Highwaymen
‘Whitey’ Bulger, like the Krays, Ned Kelly and the General, is idealised in film
A century on, Stravinsky’s ‘Rite of Spring’ still has the power to shock and awe, and musicians are still finding ways to transform it
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