Sandra O’Malley’s performance reveals vulnerability under the bravado
Niall Henry
Henry marks 30 years of absurd, visual drama as Blue Raincoat packs up till Covid allows
Conall Morrison’s new play blends 18th-century wit’s biography with his bibliography
Why I Love . . . Sailing
Emmet Kirwan stars in the revival of Mark Doherty’s 2004 play; Tintown explores how idealism can be corrupted by thirst for blood and illiberalism
Abbey Theatre stages O’Brien’s subversive classic as a much safer journey and Blue Raincoat re-re-imagines adventures in Wonderland.
Blue Raincoat use puppetry to evoke the fragility of a young boy’s hellish education
Looking forwards, looking backwards and looking up – here’s what’s on view
Plays to be presented in different parts of building are A Piece of Monologue, Play and Footfalls
With the closure of several regional theatre companies since 2008, and new funding mechanisms that favour Dublin-based artists, can regional theatre ever return to health?
Blue Raincoat takes a nostalgic trip down the rabbit hole of its own history
Alice was our first adaptation. We found a structure that was rich in ideas but uncomplicated in terms of language, allowing us play in theatre’s visual and physical aspects
For this year’s winning home designs, architects came up with ingenious solutions to size and other restrictions
This Blue Raincoat production is fascinatingly uninterested in the thrills of the survival story
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