Film
Less than a year since Barbenheimer, The Fall Guy and Furiosa: A Mad Max Saga have been box-office duds
Proto-feminist western The Dead Don’t Hurt, plus witty true-life Hit Man, period French drama Rosalie, and another big-boom Bad Boys sequel
Less than a year since Barbenheimer, The Fall Guy and Furiosa: A Mad Max Saga have been box-office duds
Proto-feminist western The Dead Don’t Hurt, plus witty true-life Hit Man, period French drama Rosalie, and another big-boom Bad Boys sequel