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Adèle Exarchopoulos as the dark, heavily fringed, polo-necked embodiment of Ennui is borderline genius
The unstoppable young actor on her flourishing career, leading John B Keane’s Sive and being cast in Twig, a new film set in a dystopian, gang-run Dublin
Less than a year since Barbenheimer, The Fall Guy and Furiosa: A Mad Max Saga have been box-office duds
Proto-feminist western The Dead Don’t Hurt, plus witty true-life Hit Man, period French drama Rosalie, and another big-boom Bad Boys sequel
Plus: Where do the fadas go in the title of the all-conquering Irish film An Cailin Ciuin?
Clémentine Delait strives to shake off rural prejudice in early-19th-century France
Adil & Bilall’s follow-up to Bad Boys for Life is a muddle of set pieces, some impressive but most unintelligible
Donald Clarke: Clarkson’s Farm deserves more than grudging respect
Rediscovered Irish folk horror The Outcasts, plus Sting, The Beast and Gasoline Rainbow
This insanely knotty art house brain-botherer is worth worrying at
Enjoyable yarn about giant spider eating everything that moves is fun for all the family (aged 16 and over)
What comes after Bride, Son, Ghost and a meeting with the Wolfman?
A volley of superb late entrants, including Anora and All We Imagine as Light, created one of the closest races in decades
Donald Clarke: Cannes film festival has gone wild for the biggest star of 1995. Will she build on the success? What does history tell us?
Ferocious Furiosa is the craziest show on Earth. Plus Irish documentaries on Charlie Bird and Chinese music competitors, and an eerie Pakistani social horror