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In Zellner brothers’ Bigfoot film, Riley Keough and Jesse Eisenberg lead cast that grunts, screams, masturbates and defecates
Proto-feminist western The Dead Don’t Hurt, plus witty true-life Hit Man, period French drama Rosalie, and another big-boom Bad Boys sequel
The script tussles between feminist revision and old-school male showdowns
The French press have found a new auteur hero in the American director of a 1980s-tinged film about a wilder kind of childhood
The actor, who will soon press pause on his Hollywood career, even manages to wring a moment of magnetism from iPhone notes
Rediscovered Irish folk horror The Outcasts, plus Sting, The Beast and Gasoline Rainbow
Film about a near-wordless young woman witch-hunted by a mob was worth waiting for
Its creators might be sick of the documentary-hybrid conversation, but it’s impossible to watch this without guessing about its nonfictional underpinnings
Audiences have been watching the actor grow up on screen for two decades. Now he’s appearing with the Bond star in Bertrand Bonello’s multilayered art-house movie
Ferocious Furiosa is the craziest show on Earth. Plus Irish documentaries on Charlie Bird and Chinese music competitors, and an eerie Pakistani social horror
The documentary by Gary Lennon follows three talented young piano players as they negotiate a fiercely competitive landscape
Reviewer Tara Brady has her pick for the Palme d’Or and Seán Baker miraculously resurrects the screwball comedy
Impressive Ramesha Nawal plays Mariam, a medical student whose father mysteriously died
Ali Abbasi film starring Sebastian Stan and Jeremy Strong zones in on a twisted early Trump mentor
Cannes Diary: First three-hour instalment of Costner’s old-school western is confounding; Kinds of Kindness may be Yorgos Lanthimos’s weakest film