Static review: A stranded astronaut, an Irish radio ham and snatches of a strange, poignant frequency
Jimmy McAleavey’s play, at the Peacock, fictionalises and slightly flattens a moment of unlikely connection
Six in Dublin review: Henry VIII’s wives are recast as pop princesses. One above all deserves the crown
Theatre: On a hot first night, the cast of this well-oiled touring production has to work hard to win the audience over
The Second Woman review: Eileen Walsh’s 24-hour performance reveals something astonishing about us
Cork Midsummer Festival 2025: Playing the same break-up scene on a loop, with 100 different men, the actor is up for anything, alive to each variation
Theatre for One: Made in Cork review – One actor, one audience member and a life unravelling
Cork Midsummer Festival 2025: In a tiny peep-show-style booth, in a five-minute play, a character opens the mess of their private life to you
Escaped Alone review: Four women, catastrophe and the comforts of ordinary chatter
Cork Midsummer Festival 2025: Anna Healy, Sorcha Cusack, Ruth McCabe and Anna Monaghan star in Caryl Churchill’s dark, cracklingly funny play
The Cave review: Tommy Tiernan is perfectly cast as a downtrodden barroom philosopher in Kevin Barry’s bleakly funny play
Theatre: Directed with discipline and clarity by Caitríona McLaughlin, Tiernan, Aaron Monaghan and Judith Roddy slip comfortably into well-fitting skins
The Black Wolfe Tone review: A heavy-on-the-pedal psychodrama
Kwaku Fortune, in his stage-writing debut, plays a frustrated young man admitted to a psychiatric institution
A Midsummer Night’s Dream at Blackwater Valley Opera Festival 2025: Vocally sure singing, but has a revamp muted Britten’s orchestral magic?
Review: Lismore Castle’s stage area has been transformed, but accompanying changes may not be ideal
L’Elisir d’Amore review: A perfectly OTT Claudia Boyle sings thrillingly in INO’s winningly slapstick take on Donizetti
Opera: The soprano brings an excellent comic presence, each of her numerous costume changes more Scarlett O’Hara than the last
Scorched Earth review: An individual tragedy and a national malaise
Dublin Dance Festival 2025: Luke Murphy tackles Ireland’s obsession with land and the exclusion it leads to
Matthew Bourne’s Swan Lake: Magical performance explains why show still enchants so many
Dublin Dance Festival 2025: Celebrating its 30th anniversary, this ballet has earned its recognition as one of the most beloved Swan Lake interpretations of all time
Re:Incarnation review: A vibrant celebration of the eternal cycle of living
Dublin Dance Festival 2025: What speaks loudest in this show by 10 Q-Dance Company dancers is the immediate physicality onstage
Dublin Dance Festival 2025: In Somnole, Boris Charmatz drifts like the mind before sleep. The result is compulsively unpredictable
The choreographer wanted to physicalise the workings of the mind. What has emerged is a rattle-bag of ideas full of whimsy and humour
Dublin Dance Festival 2025: In Oona Doherty’s Specky Clark, the body never lies
The choreographer’s fantastical take on the life of her great-great-grandfather will be woven into her family’s already rich oral history
Lovesong review: An up-and-down marriage that goes to the very end
Theatre: The excellently paired Zara Devlin and Naoise Dunbar star in the Gate production of Abi Morgan’s absorbing play
The Shark Is Broken review: Ian Shaw is uncannily like his father in this inventive, irreverent play about the making of Jaws
Crowd-pleasing tale of Spielberg movie mixes heartfelt details with top-notch film buffery and broad physical comedy
Dublin Dance Festival 2025: At Chora, generations of choreographers, dancers and producers witness an auspicious debut
Luail resists the temptation of a slick, easy-to-digest premiere, instead presenting three dances that celebrate the intangible
Candace Bushnell at the Ambassador: A fun, girly night out for Sex and the City fans
Choreographed performance from ultimate NYC character is entertaining but lacks proper fan Q&A
Jigsaw review: A play so up close we hear the voice in its character’s head
Theatre: Lee Coffey’s new drama has the pieces to become a whirling Dublin tale fuelled by thrills and suspense
Queen of the Meadows review: A compelling, exciting exploration of memory, loss, renewal and the supernatural
Dance: In this new work inspired by her grandmother’s beliefs, Robyn Byrne teams up with her fellow performer Susanne Engbo Andersen
YOU MAY ALSO LIKE...
Crosswords & Puzzles
Crosswords & puzzles to keep you challenged and entertained
The GlossOpens in new window
Read the digital edition of The Gloss magazine now
Gloss Interiors Opens in new window
Stay ahead of the trend with the Spring/Summer edition
Family NoticesOpens in new window
Weddings, Births, Deaths and other family notices