Mein Kampf: Hitler’s long-banned book in heavy demand

Two-volume political treatise regarded as one of the Nazis’ main propaganda tools

A picture of a copy of the original edition of the book ‘Mein Kampf’ at a bookstore in Frankfurt. Photograph: EPA/Alexander Heinl
A picture of a copy of the original edition of the book ‘Mein Kampf’ at a bookstore in Frankfurt. Photograph: EPA/Alexander Heinl

Heavy demand for the first edition of Adolf Hitler's Mein Kampf to be printed in Germany since the dictator's death has taken its publisher by surprise, with orders received for almost four times the print run.

The two-volume political treatise, which was written between 1924 and 1926 and posits a global Jewish conspiracy, is regarded as one of the Nazis’ main propaganda tools. It was reissued in a 2,000-page annotated version after its 70-year copyright expired.

The head of the Munich Institute for Contemporary History, which published the work, said it had received orders for some 15,000 copies against a print run of just 4,000.

There had been requests for translations into Italian, French and English, and demand from Turkey, China, South Korea and Poland, Andreas Wirsching told a news conference on Friday.

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German debate

The publication has unleashed fierce debate in Germany, a country still struggling with its Nazi past and its responsibility for the killing of more than six million Jews during the Holocaust. Some German Jewish community leaders have said the “anti-Semitic diatribe” should remain banned.

The institute, which added some 3,500 notes to the text, defended the publication.

“The edition unmasks Hitler’s false allegations, his whitewashing and outright lies,” Mr Wirsching said.

Mein Kamp was a bestseller in Germany in the 1930s after Hitler had become chancellor, and had sold 12 million copies by the time the second World War ended in 1945. It was translated into 18 languages, but after the war it was banned in Germany by the Allied occupying powers.

“The book is not only a historical source, it’s a symbol,” said co-editor Christian Hartmann. “And we wanted to dismantle that symbol once and for all.” – (Reuters)