Nicole Kidman’s new series: As addictive as a Tayto party pack in a detox retreat

TV: In Nine Perfect Strangers the actor gives her wellness guru the full Goop loop-the-loop

Oscars 2022: My predictions for next year’s best-picture nominees

Donald Clarke forecasts how next year’s category may look as the industry creaks back into action

The Irishman review: It’s good, but it’s no GoodFellas

Martin Scorsese’s gangster film will play well on Netflix, but it’s even better in the cinema

The Dude abides: The Big Lebowski 20 years on

The Coens’ 1998 comedy works as a caper but repeat viewings unwrap layers of meaning

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Ant Man and the Wasp: unapologetically goofy. That will do nicely

The tiny man serves up summer’s second best superhero-as-househusband movie

Forty-two films to catch in the cinema this summer

Incredibles 2, Ocean’s 8, Jurassic World and Mamma Mia!: Here We Go Again

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‘I, Tonya’: Figure skating was out to get Tonya Harding way before ‘the incident’

Review: Margot Robbie chews up the role for all it’s worth and spits out the sequins

A very belated Jumanji sequel: Family fun let down by kinky boots

Follow-up to 1995 kids’ flick has a ‘big idea’ – but sadly succumbs to crass objectification

Ferdinand review: A children’s classic gets the family-film treatment

Carlos Saldanha embellishes ‘The Story of Ferdinand’ with tried-and-tested subplots

The Nut Job 2: Nutty by Nature review: Call pest control

Will Arnett, Katherine Heigl and Jackie Chan are wasted in this superfluous sequel

Coming soon: the rock'n'roll TV shows following in the wake of Empire

The success of Lee Daniels and Danny Strong’s soap opera has opened the studio door for other broadcasters. Here are some more music-industry shows coming this year

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Ant-Man review: super downsize me

After the bombast of ‘Age of Ultron’, this lo-fi Marvel release is as enjoyably laid-back as its amiable star, Paul Rudd, though the pleasures are decidedly small of scale

Annie review: Great cast, shame about the movie

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Film review: Blue Jasmine

Woody Allen descends to his version of slumming, with toxically witty results, writes Donald Clarke