Mark O’Rowe’s stark production treats the the play almost as a documentary and cleverly casts against type

From DruidShakespeare to Waking the Feminists, 2015 was all about changing perspectives

The actor likes to find the conflict in characters, making Tom Murphy’s plays ideal vehicles for his talents

Annabelle Comyn’s respectful and inquisitive revival is engaged with nostalgia, particularly the pain at the root of that word

Lughnasa International Friel Festival to take place in Donegal, Derry and Belfast

Tom Murphy’s great play, currently at the Gate, subverts Irish and English stereotypes. How did director David Grindley rise to the challenge?

Abbey production of Ibsen’s drama feels stilted

Shakespeare isn’t getting any younger, and here his Midsummer action finds itself wandering the halls of a nursing home

The action takes a violent turn in the hands of Brokentalkers

The actor is one of the most intense and intelligent performers in Irish theatre; little surprise, then, that a conversation with him starts to sound like a masterclass on acting

Declan Conlon’s career got off to a wobbly start, but now, as he begins a run of Arthur Miller’s version of Henrik Ibsen’s An Enemy of the People in Dublin, he is one of Ireland’s most prolific stage actors

Ibsen’s whistle blower brings us worrying news from Norway via Arthur Miller’s America

Richard Dormer’s Irish-American gangster play orbits around a jukebox, violence and some brutal characters