‘Towards 2022’ programme symptomatic of orchestra’s lazy thinking
NSO sub-season duplicates previous efforts and focuses too much on British connections
Past tension: the eternal battle between old and new music
There was nothing wrong with the New Music Dublin Festival – just its name
Irish opera picking up international awards as Arts Council decision imminent
Smart money still on the Wide Open Opera/Opera Theatre Company bid to become the council’s new major opera supplier
Classical Music: The odd imbalance of ‘Ten Thousand Miles Away’, and the place of period performance
The Royal Irish Academy of Music’s collaborative concert was strong on Irish writers but weak on our composers
An opera about bankers – the timing could not have been better
The ‘AntiMidas’ cast of four double as a Greek chorus and the media, presented as a wild line-up of TV pundits
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