Mubi: online repertory cinema for a handful of change
Fancy a rotating visual feast of 30 arthouse movies monthly and all neatly curated?
Todd Haynes: ‘All my movies are critical and financial disappointments initially’
The auteur on his love of whistleblower films and the legacy of New Queer Cinema
‘Love, Simon’ is a very welcome message
Review: The film is a landmark in LGBTQ representation, but succeeds on its own merits
Todd Haynes: ‘I was consciously making a film that I wanted kids to see’
The director has flipped the script once again with his latest project ‘Wonderstruck’, a proper grown-up film about and for children
Bruce LaBruce: ‘Sometimes there’s a real love underlying fetishism’
The director’s latest film, Gerontophilia, a kind of gay Harold and Maude, is more accessible than the radical films he made his name with. LaBruce’s style might have mellowed slightly, but he hasn’t
Divine times: Mink Stole, the über-fabulous Dreamlander, recalls the heyday of trash
As an original member of John Waters’ gang, Mink Stole was there at the beginning. Alongside was Harris Glenn Milstead, a quiet young man who would soon become Time Magazine’s Drag Queen of the Century . . . and an icon for oddballs everywhere
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