Can rotund characters be represented by less rounded actors?
Donald Clarke: If authors can keep an open mind about appearances, so can readers
Panto review: Aladdin at the Cork Opera House
Trevor Ryan crafts a show which is any-time-of-the-year marvellous
The Wizard of Oz: Joyful production blazes with power of original
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Annie review: The sun comes out as we drink our tears
A lavish, pitch-perfect production with a patina of pathos
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