Four new films to see this week

Portrait of the Nazi movie propagandist Leni Riefenstahl still outrages. Plus a fascinatingly freaky Nicolas Cage vehicle, David Attenborough’s voyage to the bottom of the sea, and a so-so remake of Ang Lee’s one-time indie hit The Wedding Banquet

An image from Riefenstahl. Photograph: Vincent Productions
An image from Riefenstahl. Photograph: Vincent Productions

Riefenstahl ★★★★☆

Directed by Andres Veiel. Featuring Leni Riefenstahl, Adolf Hitler, Albert Speer. Limited release, 115 min

One can easily understand how a documentary on Leni Riefenstahl, the notorious cinematic propagandist for Nazi Germany, might prove unsettling, but it is surprising how relentlessly infuriating this fine film proves. This counts as a sort of back-handed compliment. The main focus is, however, on Riefenstahl’s tireless efforts to distance herself from the appalling crimes and crackpot philosophies of the regime. Its dissection of her evasions reveals powers of self-deception that beggar belief. There is also strong, grim material on how she retained much popular support in postwar Germany. Full review DC

The Surfer ★★★★☆

Nicolas Cage in The Surfer. Photograph: Vertigo Releasing
Nicolas Cage in The Surfer. Photograph: Vertigo Releasing

Directed by Lorcan Finnegan. Starring Nicolas Cage, Julian McMahon, Finn Little, Nic Cassim, Alexander Bertrand, Rahel Romahn, Miranda Tapsell. 15A cert, gen release, 100 min

Fascinating, freaky drama from an Irish filmmaker stars Cage as an Australian ex-pat who returns from America only to be bullied half-insane by a gang of surfers. It hardly needs to be said that, out here in the rational world, there would be ways of resolving these issues. But screenwriter Thomas Martin, who has worked on series such as Tin Star and Ripper Street, forges us an allegorical space that abuts the absurd. The gang could hardly offer a more obvious stand-in for contemporary “alpha-male” toxicity – the social-media bully pit made sunburnt flesh. Full review DC

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Ocean with David Attenborough ★★★★☆

Ocean with David Attenborough. Photograph: Conor McDonnell/Silverback Films/Open Planet
Ocean with David Attenborough. Photograph: Conor McDonnell/Silverback Films/Open Planet

Directed by Toby Nowlan, Colin Butfield, Keith Scholey. Featuring David Attenborough. G cert, gen release, 85 min

Early in this engaging portrait of sea life, the veteran broadcaster outlines his thesis: “After living for nearly 100 years on this planet, I now understand that the most important place on Earth is not on land but at sea.” Ardent lovers may well wish for someone to look at them the way Attenborough looks at giant kelp; at another moment, he excitedly recalls forgetting to breathe during his first snorkel. The film has much to say about the ecological damage inflicted by humans while also being at home to hope. Full review TB

The Wedding Banquet ★★★☆☆

Han Gi-chan and Kelly Marie Tran in The Wedding Banquet. Photograph: Luka Cyprian Bleecker Street
Han Gi-chan and Kelly Marie Tran in The Wedding Banquet. Photograph: Luka Cyprian Bleecker Street

Directed by Andrew Ahn. Starring Bowen Yang, Lily Gladstone, Kelly Marie Tran, Han Gi-chan, Joan Chen, Youn Yuh-jung. 15A cert, gen release 104 min

Times have changed since 1993, when Ang Lee’s understated indie classic introduced a bisexual Taiwanese immigrant, his long-term male partner and a fancy sham wedding designed to fool visiting parents. James Schamus, who co-wrote the original, shares writing credits with director Ahn on this muddled remake. Technically, Wedding Banquet 2025 is a dog’s dinner. It falls to the charming cast to outshine the flimsy material. Gladstone and Tran are as warm and well-worn as a much-loved bed sweater. Bowen Yang thrums with millennial angst. Joan Chen steals scenes as a loudly gay-positive mother. Full review TB

Donald Clarke

Donald Clarke

Donald Clarke, a contributor to The Irish Times, is Chief Film Correspondent and a regular columnist

Tara Brady

Tara Brady

Tara Brady, a contributor to The Irish Times, is a writer and film critic