Film Reviews
Eternal You: Documentary portrait about the rush to digitally resurrect dead loved ones is scarier than any AI fiction
By Tara Brady
A Greyhound of a Girl: Terrific Irish ensemble enlivens charming tale that makes weighty themes feel feather-light
By Tara Brady
The Exorcism: Russell Crowe has seldom been better than in this superior supernatural horror
By Tara Brady
The Bikeriders review: Jodie Comer ensures you pay attention to this violent, sometimes tragic biker-gang saga
Ama Gloria: A six-year-old clings to her departing nanny in Marie Amachoukeli-Barsacq’s affecting drama
By Tara Brady
Sasquatch Sunset: Controversial Bigfoot movie is rewardingly novel, touchingly human and agreeably nutty
By Tara Brady
Inside Out 2 review: Will Pixar’s new movie trigger a diplomatic incident? Either way, it deserves to be seen
The Dead Don’t Hurt: Viggo Mortensen directs and stars in this thoughtful, melancholy western
By Tara Brady
Hit Man: Glen Powell steals this sexy Netflix caper based on a real-life philosophy professor who poses as a gun for hire
By Tara Brady
Bad Boys: Ride or Die – Will Smith, in his first big film since the Oscars slap, can still twinkle. Martin Lawrence puffs and wheezes
The Beast: One can only nod in agreement when Léa Seydoux shouts ‘what the f*** are you talking about?’
Sting: a horribly diverting creature feature of which the late Roger Corman would surely have approved
Gasoline Rainbow: A pleasantly meandering Gen Z road trip from upcoming auteur siblings the Ross brothers
By Tara Brady
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