Queen and Country review: All quiet on the nostalgia front in John Boorman's latest

Boorman’s new film is an agreeable follow-up to Hope and Glory, but it lacks the mild derangement of his best work

John Boorman returns to cinemas with the film 'Queen and Country', he speaks to Donald Clarke about the origins of the story, the golden age of cinema and how he hasnt quite retired yet. Video: Daniel O'Connor
Queen and Country
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Director: John Boorman
Cert: 15A
Genre: Drama
Starring: Callum Turner, Caleb Landry Jones, David Thewlis, Richard E. Grant, Tamsin Egerton, Sinead Cusack, David Hayman
Running Time: 1 hr 55 mins

Largely untouched by contemporary cinema, the dying days of National Service in the UK now seem more remote than the war that preceded them. For his very agreeable, much-delayed follow-up to Hope and Glory, John Boorman takes us back to his own time playing the Army Game.

Threat of dispatch to Korea hangs over the young trainees’ heads. We know (though they do not) that, once conscription ends, a social revolution is about to erupt.

The film begins with the most famous sequence in Hope and Glory – the children's whooping delight when their school is bombed – and then propels us to the hero's call-up while living idyllically on an island near Shepperton Studios.

Played with great assurance by Callum Turner, Bill Rohan finds himself cast into a world of toffs, spivs and oddballs. Pat Shortt is better than ever as the skiver who knows every route towards the quiet life. Richard E Grant is brilliantly exasperated as an officer who constantly wishes himself elsewhere.

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When not involved in high jinks, Bill forwards a curious relationship with a posh student (Tamsin Egerton) whose real name he seems uninterested in learning.

Queen and Country is loaded with delicious period detail – yes, people really did buy their first TV to watch the coronation – and with ruminations on the way National Service stole precious moments of youth. But, thanks to a nuanced performance by David Thewlis as an unreasonably harsh sergeant major, we also get to grips with unhappy truths about how battle traumas were cruelly disregarded in the post-war years.

For all that, Queen and Country remains a smallish film. It showcases Boorman's great humanity, but (like Hope and Glory, for that matter) it is almost entirely free of the mild derangement that characterises his best work. We said "almost". What on earth are we supposed to make of the positively barmy performance by Caleb Landry Jones as Bill's posh chum? Writhing like a restless snake, grappling uneasily with the accent, the American's turn is quite strange enough to have appeared in Boorman's famously off-the-leash Zardoz. Take a breath, man.

Queen and Country is out now on limited release and is also available to rent on volta.ie

Donald Clarke

Donald Clarke

Donald Clarke, a contributor to The Irish Times, is Chief Film Correspondent and a regular columnist