FilmReview

Swan Song: Ballet goes punk rock in absorbing behind-the-scenes documentary

Chelsea McMullan’s immersive, tactile portrait captures the small dramas, jangling nerves and stoicism in a production of Tchaikovsky’s Swan Lake

Chelsea McMullan takes us inside the National Ballet of Canada’s 2022 production of Swan Lake, directed and staged by the legendary Karen Kain.
Swan Song
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Director: Chelsea McMullan
Cert: None
Genre: Documentary
Starring: Karen Kain, Jurgita Dronina, Shaelynn Estrada, Robert Binet, Tene Ward, Selene Guerrero-Trujillo, Arielle Miralles
Running Time: 1 hr 43 mins

In this absorbing behind-the-scenes documentary executive-produced by Neve Campbell, the celebrated former ballerina Karen Kain prepares to retire as artistic director of the National Ballet of Canada. Her parting gift will be a new, definitive production of Tchaikovsky’s Swan Lake. There are several immediate complications. Kain, who has performed with Rudolf Nureyev and was once painted by Andy Warhol, has never directed a ballet. “I’ve always been at the side of the choreographers who came to work with us,” she says. “I’ve never been responsible for it before, and that’s a big difference.”

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Then Covid happened.

There is nothing dainty about Chelsea McMullan’s immersive, tactile portrait, a chronicle that adds thrills and grit to such comprehensive delves as Frederick Wiseman’s La Danse or Robert Altman’s The Company. The National Ballet of Canada’s Russian principal, Jurgita Dronina, struggles with pain and a nerve injury as she prepares for Swan Lake’s dual main roles as Princess Odette and the trickster black swan, Odile.

“Ballet is f-cking punk rock,” says the corps-de-ballet hoofer Shaelynn Estrada. A home-schooled former army brat who began ballet lessons as her mother cleaned the studio, Estrada makes for frank company. Her dark religious past finds dangerous expression in self-harm, eating disorders and mental health issues. Ballet saved her, she says.

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A dazzling array of camerawork – the cinematographers Tess Girard and Shady Hanna are joined by an additional six cameras for opening night – captures small dramas, jangling nerves, jokes about Advil consumption and, mostly, stoicism. The film’s editor, Brendan Mills, who filleted 450 or so hours of footage, surely knows all about the latter.

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Amid a swirl of engaging characters – including Robert Binet, a patient choreographer, and Gabriela Tylesova, Andrew Lloyd Webber’s favoured set and costume designer – the real star of Swan Lake is, as ever, the corps de ballet. In Swan Song, feathers, synchronicity and sheer graft define the world’s most popular ballet.

Swan Song is available to stream and on limited release from Friday, August 16th

Tara Brady

Tara Brady

Tara Brady, a contributor to The Irish Times, is a writer and film critic