Linguists tell us that English has acquired a new preposition.
Because internet.
So cinemagoers had best huddle together in expectation of many, many shipwreck flicks with sci-fi set design in 2015.
Because Gravity.
With $516,556,931 in its international account and a brace of ecstatic notices, it’s hardly surprising that the space opera has already hit
1,314,713 on its second Irish weekend. Try to act pleasantly surprised if a sequel in which
Sandra Bullock
must rescue
William Shatner
or a cruise liner appears in the near future.
Because money.
The big shock of last weekend was not that
Gravity
only dropped 26 per cent between weekends at the box office. Nor was it
Philomena
climbing to the second spot – against box-office gravity – with an
851,444 running total inspired by great word of mouth. The big shock was
The Counsellor
debuting at No 4 with
101,409. The bizarre Ridley Scott-helmed drama starred – as the glossy poster tells us – Fassbender, Cruz, Pitt, Bardem, Diaz, but received (quite rightly) some of the most negative reviews ever written. Ever.
How were regular movie punters duped into parting with their cash for this turkey, we wonder?
Oh yes. Because movie stars.
Box-office history tells us that the denizens of ROI love a good, multiple-decade-spanning historical drama. So
The Butler
was a silver-service smash, with
64,013 from 22 sites last weekend. The chronicles also note that the same population goes bananas over any kind of daft comedy. Take a bow,
Jackass Presents: Bad Grandpa
, with
661,947 in the kitty after four weeks on release.
Bubbling below this week’s top 10, we find box-office blockbusters such as
Prisoners
(No 11) with a
1,398,874 total haul, and
The Smurfs 2
(No 17) with
1,661,432. We also find flops such as
In Fear
, which managed to scrape into the top 20 with only
2,776 from four prints last weekend.
That’s disappointing, but it still represents better screen averages than
Battle of the Year
, a dance-off starring unpopular Rihanna-basher
Chris Brown
, which opened here with no press show, no fanfare and a dismal
7,767 take-home from 23 sites.
This hasn't been a good year for Irish releases, and with just two titles left on the books – The Swell Season (2013's second Glen Hansard doc) and Moon Man, a disappointing animated feature that's sure to displease adults and kids alike – there's hardly enough time to turn things around.
That said, the well-reviewed Dublin-based hip-hop drama
Broken Song
scored
1,947 over the weekend at the IFI. Congratulations to all involved.
Chris Brown: You’ve been served.
Because karma.
