Eliza Carthy: "Red Rice" (Topic)

If Larkin's verse was right, that parents can cause you long-term mischief, then Eliza Carthy is an exception. But she needs to be, in every way. Because someone who seeks to walk a similar path to famous parents like Martin Carthy and Norma Waterson is leaving herself open to comparisons and they, as we all know, can be odious. Yet this twenty-something has in a very short time carved a reputation as one of the most exciting artists to hit a British folk stage for many a year. Not surprisingly, her style of music is rooted in the rich English tradition. But she is open to other influences. This double set is testimony to this diversity. The first CD, Red, features Ms Carthy with a small band, a selection of original and traditional material, bits of echo, tape loops and whatever you're having yourself. It's an exercise in stretching out, having a bit of fun, but still keeping a firm hand on the reins. For instance, the instrumental, Stingo/The Stacking Reel, builds cleverly, allowing Carthy to flex her ever-improving fiddle skills. Her voice is sweet and distinctive, occasionally a little fragile, but one that is always at ease. The second CD, Rice, which has a more traditional setting, utilising acoustic instruments to fine effect, emphasises this empathy with the sounds of yesteryear. Her intimate version of The Snow It Melts the Soonest is true to the original, yet quite contemporary and compelling in its mood and atmosphere. As the fiddler Martin Hayes said on radio recently, there is no substitute for heart.