Portraits of men by Sir William Orpen cost less than those of women

Whyte’s auctioning a portrait of Vivian Hugh Smith with estimate of €10,000-€15,000

Portrait of Vivian Hugh Smith by Sir William Orpen, which he painted in 1919

Orpen’s portraits of early 20th century London “high-society” ladies can sell for hundreds of thousands of euro – and more – at auction. But his portraits of men – executed with the same brilliant skill – sell for a fraction of that.

Sir William Orpen, born in Stillorgan, Co Dublin, in 1878, was a leading portrait painter in London during the early 20th century and an official British artist of the first World War. His Portrait of Vivian Hugh Smith (1867-1956), later 1st Baron Bicester of Tusmore Park is among the lots in Whyte's auction of Irish and International Art in the RDS, Dublin on September 28th.

The oil-on-canvas, measuring 50ins by 40ins, is estimated at €10,000-€15,000.

For collectors who’d like to own an Orpen, his portraits of men – surely undervalued – are relatively affordable. According to auctioneer Ian Whyte,the painting is “as well executed as his portraits of women but at about one-tenth of the price”, and, he adds, “you could always hang it over the fireplace and pretend to guests that your grandfather had been painted by Orpen”.

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The subject of this portrait is Vivian Hugh Smith, an English merchant banker (with Morgan Grenfell and Co) who was married to Lady Sybil Mary McDonnell, a daughter of the 6th Earl of Antrim. He was created a Baron in 1938 and chose his title to name himself after the estate he acquired – Tusmore Park near Bicester in Oxfordshire.

Whyte’s say the portrait “is one of the earliest commissions Orpen carried out after his return from the Peace Conference [which he famously painted for the British government] in Paris in 1919” .

The artist was privately frank about why he accepted the commission to paint Smith’s portrait: in a letter in July 1919 Orpen wrote to a friend: “I’m going back [to London] for three weeks early in September to paint two portraits. (I ain’t got any money).”

It’s not known how much Orpen was paid for the portrait which is a superb illustration of what a well-dressed businessman wore in London 96 years ago. Men’s fashion hasn’t changed radically in a century.