Dermot Seymour's idiosyncratic paintings have established a distinctive presence in the contemporary Irish art scene. With The Polar Rigors Of Mortis Locks, which spans the last eight years, we are offered a rare chance to view the breadth of his work together in one exhibition.
Seymour brings together realistically rendered images through the logic of the subconscious, often defying both gravity and constraints of scale.
Cows, sheep, geese and other animals are juxtaposed with flags, faceless or headless soldiery, military helicopters, religious icons and other imagery from the artist's linguistic pantheon. These images are set against vertiginous outcrops, vague rural backgrounds, dramatic, theatrical skies or sometimes stark white, all of which serve to highlight the unreality of the works.
Using this distinctive visual vocabulary, the artist successfully conveys a wide range of emotional resonances tinged with dry humour, humanity and a sense of the absurd.
This is reflected in the titles of the paintings, quirky, bizarre and often punning statements which distil and augment the wry irony of the artist's vision.
The sense is of portraying the absurdities of everyday life.
An impressive exhibition and a powerful affirmation of a singular artistic talent.
(Until 12th October)