Review: The Pillowman

Martin McDonagh’s best play is imaginatively produced by Decadent Theatre


The Guarantee: the unmaking of modern Ireland

‘A bleak portrait of the end of a pocket empire’. Writer Colin Murphy and producer John Kelleher tell Donald Clarke about bringing the story of the most expensive bank bailout in history to the big screen


Review: Borstal Boy

The stage version of Behan’s classic lacks subtlety but makes for rollicking entertainment



Waiting for Godot

Gare St Lazare Players take Beckett’s masterpiece away from more earthly concerns. Does Godot need more gravity?





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