Debate rages over tennis players’ ambivalent attitude towards vaccination

Some players shrug shoulders as they’d have to remain in tournament bubbles regardless

Just Mercy review: Irresistible legal drama with a real world Atticus Finch

Review: Jamie Foxx does his best work in a decade. Charismatic Michael B Jordan puts in a tone-setting performance

A year on from ‘inclusion rider’, Hollywood accepts 4% challenge

Stars and some studios are backing a push to see more women and minorities hired

Oscars 2019: Here’s who I predict will be nominated today

Donald Clarke: If I get fewer than 80% of these correct I’ll be disappointed

The 50 best films of 2018

Year in Culture Review: From Lady Bird to A Star is Born, here are our films of the year

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Creed II: Little else this season has been so entertaining

Review: The Rocky films have moved on, and the acting has never been better in the series

Brad Bird: Inside the Pixar movie-making machine

The ‘Incredibles 2’ director on the Disney studio’s secret sauce, and keeping his distance from corporate nonsense

Cannes film festival: the class acts of 2018

Despite a dispute with Netflix and films not being ready in time, the competition is one of the funkiest, least creaky in years

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The Wire, 10 years on: ‘We showed the American dream was dead’

Writers and stars of ‘anti-cop show’ look back at a series that changed TV for ever

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Black Panther: This film is revolutionary. Just not that good

Review: It features a black superhero, but the CGI is suffocating and the plot is weak

Ryan Coogler: ‘Apollo Creed meant everything to African-Americans’

In the Rocky offshoot Creed, Ryan Coogler has made a rare boxing film with a black actor as star. The director talks about how he won over Sly, and the cultural importance of Apollo Creed

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Fruitvale Station

This Sundance prize winner is overly schematic, but also hard-hitting in its outrage over a racially charged miscarriage of justice

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That Awkward Moment