All Mod Cons review: A swirl of issues crowd out the heart of an overworked play
Erica Muray’s second play is well acted and pacily directed, but it tries to do too much
The Yalta Game at the Gate: a seesaw of guilt and passion, while reality lurks nearby
Falling in love is the hardest thing, in this less-is-more production of Brian Friel’s play
Who’s Afraid of Virginia Woolf? review: Total war in a theatrical battle like no other
Audiences are likely to be lacerated in the crossfire of this explosive revival
Review: Twelfth Night
A daringly modern telling of Shakespeare’s comedy of desire, disguise and deception makes the play seem more true to itself
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